Beyond the event horizon

Tarn Parker

A neutron star forms when a massive star dies wrong, when gravity overwhelms all resistance and matter is forced into extremes. A single teaspoon of neutron star would outweigh mountains. The numbers are precise. The reality is incomprehensible. The stuff of nightmares.

So what if you got too close? Gravity would spaghettify you.
Black holes don’t glow warmly. They stare. Silent. Ancient. Dense beyond reason.
And yet, I found something strangely beautiful in that violence.
Human existence is not so different. We burn, expand, radiate. Then pressure arrives: loss, time, truth. The gravity of life compresses us and forces parts of ourselves together that were never meant to meet.

A teaspoon of a life can outweigh years.
But perhaps compression is not simply destruction. Is it transformation?

The figure in my painting is being pulled apart, but not into nothing. Their light is being stripped away, drawn beyond the point where it can return to us. Their physical form is becoming unrecognisable. The familiar boundaries of the human body begin to fail.
Yet energy does not simply disappear.

Light changes. Matter changes. Stars die and become the material for something else. The elements within us were forged in ancient stars, carried across unimaginable distances, gathered into planets, bodies and eventually consciousness. In that sense, we have always been part of something much larger than ourselves.

In this era of my life I am frequently drawn to the space between scientific descriptions of the universe and Aboriginal understandings of existence, Country, ancestry and the relationship between worlds. I am interested in the possibility that these are not necessarily opposing ways of knowing, but different languages for approaching mysteries that are too large to fully contain.

Science speaks of spacetime, gravity, quantum states and event horizons. Aboriginal knowledge carries understandings of connection, continuity and worlds beyond the immediately visible.

Both can leave us standing at the edge of what we understand, asking the same enormous questions: Where did we come from? What connects us? Where do we go? And what exists beyond what we can see?
The black hole becomes more than a symbol of death. It becomes a threshold. A place where light disappears, but not necessarily where existence ends.

Stars die violently and become the ingredients of new worlds. Bodies return to Country. Matter moves through cycles we barely comprehend. Light can disappear from our sight without ceasing to have been part of the universe.

Maybe we are the same.
Perhaps being pulled apart is not always an ending.
Could it be that the universe rearranges us into something it has not yet revealed?

Medium: Acrylic on Belgian Linen

Artwork Size: 101.6 x 152.4cm

Catalogue No: 288-26

$2,000.00

Out of stock

About the Artist

Tarn Parker

Tarn was born and nurtured on Wiradjuri Country in Wagga Wagga. She currently lives and creates on Yorta Yorta Country with her two children.

In 2014, Tarn joined Kaiela Arts and was taken under the wing of Gamilaraay artist Uncle Eric Brown.

 

A self-taught contemporary artist, Tarn enjoys painting, drawing and printmaking. Her artistry extends to larger canvases as well, with her hand bringing vibrant murals to life. Notable among these is a remarkable 12.5-meter “brain scan” mural, a kaleidoscope of colour and concept, which drew the attention of the ABC in a mini-documentary in 2021.

 

For Tarn, art has always been a vessel for expressing her ties to Country and family. Her pieces often carry heavy celestial vibes, undertones of feminism, politics, and tradition.

 

Tarn has collaborated with screen printing studio Spacecraft since 2018 where her designs made their way onto fabric for Design Roots 2. The momentum continued with Design Roots 3 – “Identity” in 2019, a selection that propelled her work to the Darwin Aboriginal Art Fair and the Country to Couture Fashion Show. Her designs were featured in the NGV and Vogue Australia online.

 

Tarn also worked closely with other Kaiela artists to create “Yalka Lotjpa Nha”, a children’s Yorta Yorta language book.

 

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